
Once upon a time, for six months, I lived alone
in a bare, second-story, 2-bedroom apartment in North Carolina: a yoga mat and
blanket instead of bed and chairs, no table, no television, and so on. But one
of the living room “walls” was all glass with a door opening out onto a deck,
and beyond stood several large, long-needle pine trees.
Late at night, a full moon behind the pines
would project a shadowy, surreal panorama onto the opposite wall - a kaleidoscopic, phantasmagoric ballet of boughs and needles, constrained yet swaying together in
the wind, conflating into weird arabesque constellations for a few seconds,
then separating as the branches sprang back, only to reconfigure into alternate
but equally surreal gestalts... Intriguing, fascinating, movements.
What might it all mean, or at least signify?
Seated on
my meditation cushion, I would gaze for an hour or more.
Even
today, years later,
now and
then I watch daytime and nighttime shadow trees,
thanks
to a large Japanese maple partially obstructing a window
and the
strong light of a southern exposure,
or the
moon when it is bright and full.
Stephen Rowe welcomes correspondence of all
sort at StephenRowe.OriGraphics@yahoo.com (watch for the period between Rowe
and OriGraphics), and can be found on Facebook by typing ArtMissionary (all one word) into its “Search for people”
form.

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